Nancy Yaw Davis grew up on this corner while her father, W. Leslie Yaw, served as superintendent of the Sheldon Jackson School, and later, as the president of the junior college. After a career in anthropology, she’s still curious about ‘the depth of time’ and the people who have inhabited her old neighborhood for millenia. (KCAW photo/Robert Woolsey)

A sewer replacement project in Sitka has turned up more evidence that one of Alaska’s oldest cities has been inhabited for a long, long time.

A stone tool — resembling a wedge, or striker — was unearthed in an excavation beneath a street in downtown Sitka, and may never have been found, but for a retired anthropologist who knew what to look for.

Downloadable audio.

Note: All artifacts found by Nancy Yaw Davis in the City of Sitka — whether she’s working professionally, or just out looking around her old neighborhood — are the property of the city. Learn more by viewing Sitka’s updated Comprehensive Plan, and also a draft of the Historic Preservation Plan.

Like the stone artifact itself, this story may never have seen the light of day without a Jeff Davis Street resident who called police about a “woman with a small shovel digging in people’s yards.”

The culprit proved to be Nancy Yaw Davis, who grew up on this corner.

“When I was in about 7th Grade I had a pet deer named Fritzen. It was a fawn that had been rescued and brought to dad, and he brought it to me, and we kept it alive for a while until a dog got it right on this corner.”

Davis’s father, Leslie Yaw, came to Sitka in 1923 to teach and coach at the Sheldon Jackson Training School. He became superintendent of the school in 1930, and president of the new junior college in 1944. Nancy, now 81, lived on this corner for 16 years.

“This little stretch from here to Etolin Street was owned by Kettleson…”

It’s significant that this place is alive with memories for Davis, even though we’ve met here to discuss something made by people long dead. Less than a stone’s throw from where we’re standing are petroglyphs — prehistoric rock carvings — of unknown age and origin, right in the middle of downtown Sitka. So many people have lived, grown old, and made their own memories on this spot.

For an anthropologist, finding a stone tool was almost unavoidable.

“And my line is: I came looking for my childhood marbles, and I really lost them that morning when I found this.”

The object itself resembles a modern wood splitting maul or wedge, except it’s got three faces instead of four. One end is squared off, where you might hit it with another stone.

Davis points to the squared end of the tool, which she calls a “platform.” It’s also made from a different type of rock than the graywacke in the background. (KCAW photo/Robert Woolsey)

“They’re flat on the top. That allows a platform for flaking off and using, or pounding — I think. But you know, intelligent guessing is what we’re all capable of. But whether or not we can prove how it was made or what it was used for, I don’t know. That’s far beyond what I know from looking at a rock.”

And it does look like a rock. The artifact is nondescript to the untrained eye. I would have walked right by. Davis noticed it because it was a different type of stone than the graywacke gravel piled all around this road project.

“So, do you want to go out in the gallery?”

Just a block away is the Sheldon Jackson Museum — and it’s got a small collection  of stone tools, some of which resemble the one Davis  has discovered.

Curator Jackie Hamberg thinks it might have had a utilitarian purpose.

“And that particular one looks more like a striker, that you would use to work other stone objects in order to create your tools. It’s not as thick or as hefty as our wedges that we have here, or the adze blades that are made from stone. But in order to make these stone tools you’re working with other pieces of stone, whether you’re pecking or chipping, or flaking away. So you have to have a really solid rock to work with to make something like this.”

Is it a tool, or just a rock? Davis holds her latest find (r.) next to a similar artifact she found in a root wad at Beaver Lake. There are several more in the collection of the Sheldon Jackson Museum. (KCAW photo/Robert Woolsey)

Archaeology is not always what people imagine it is: Indiana Jones exploring an ancient, cobwebbed temple. A lot happens out here on construction sites. But not this one. Although Nancy Yaw Davis has worked as a contract archaeologist for a similar project just a few blocks away, the state doesn’t think one is necessary this time.

Judy Bittner, head of the State Historic Preservation Office, says the soils under street projects are often too disturbed to allow for careful archaeology, where everything around the artifact — known as “context” — is just as important as the object itself.

“And if it’s just sort of random artifacts, you know bottles and things that were part of the detritus of the living population there, and you know what to expect and you already have information from it, and you’re not really going to gain new information about that settlement or the occupation or the time period in history.”

Davis knows this as well as anyone, but she’s still a little bit irked. She sees artifacts almost everywhere she goes, and believes there is an important human story literally beneath our feet. Objects like this stone striker — though useless to archaeology in the strict sense — represent a cultural richness that modern society doesn’t fully appreciate.

“And I think that we should assume that there were people here, throughout this magnificent area, and there is evidence of them if we learn together how to recognize it.”

And she wouldn’t mind if the field of Archaeology were a little less territorial.

Davis – And it’s just a highly select, small group of people that have the privilege of being archaeologists. There are more general anthropologists. And I think we have more fun, because we see a larger picture, a different picture.
KCAW – Archaeologists have more fun?
Davis – I think they drink more beer than the rest of us!

Yet another reason for Sitkans living near major sewer projects to keep the police on speed dial.

See a related story, Improbable Archaeology: Stone tool found in Sitka landslide.

The Baranof Island Rueda All-Stars perform a salsa dance dedicated to late Sitkan, Alice Machesney, at the opening reception of the community curating exhibit, Sitka: Paris of the Pacific, Then and Now. (KCAW photo/Anne Brice)

Sitka’s Historical Society and Museum has opened a new exhibit. It’s not your typical show — it reflects a change in direction that some museums are taking, and Sitka’s curator is leading the way.

Listen to iFriendly audio.

When you think of a museum, you might picture famous paintings lining the walls or ancient artifacts housed behind glass. But you probably don’t think: Salsa dancing.

Well, when you’re Jackie Fernandez, you do. She’s Sitka’s museum curator and she’s challenging the way people think about history and art.

“There are just so many ways to interpret history, and to tell the stories, that I think it’s important to tap into all of them,” she said.

She moved here from Boston two years ago and brought with her the idea of community curating. It’s a way of both honoring the past and celebrating the present, by inviting residents to submit their own pieces to an exhibit. It can be anything — from an old photo to an original song — and Fernandez says it’s a great way to engage the community.

“It keeps the space relevant and vibrant and ends up allowing you to tap into all of this wonderful, creative energy and this talent that’s all around you,” she said.

This is Sitka’s fourth community curating exhibit. It looks at the city during Russian occupation in the 19th century, when it was the leading economic center on the Pacific Rim. It was this period of production and opulence that led Sitka to be known as, “Paris of the Pacific.”

“It was so fascinating to look at Sitka as a Paris of the Pacific in the 19th century,” said Fernandez, “but I couldn’t help but think about how today, in its own right, it’s lived up to title because this is such an amazing dynamic community.”

Sitkans submitted a variety of things, from a newspaper clipping about an artist who carved a totem pole for survivors of domestic violence to a poster for the annual wearable arts show.

At the opening reception, a group performed a salsa dance dedicated to accordion player and longtime Sitkan, Alice Machesney, who died in 2009.

Fernandez says that it’s a lot of work, but it’s work that’s well worth it.

“It’d be much easier if I just got to sit behind my desk, put it all together, and do it myself. That would be quick and fast and simple…but I don’t like to do anything quick and fast and simple. I think that Sitkans deserve better than that.”

The Community Curating exhibit, Sitka: Paris of the Pacific, Then and Now, is at the Sitka Historical Society until early December.